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So how did I come to choose 'redhanded' as a professional signature? I knew that my business name needed to embrace a broad spectrum of work: for example, writing a lively, engaging annual report, teaching a young artist techniques of colour mixing, and creating an artwork that incorporates some new-to-me technique, like sculptural casting.
Given this diversity, I realized I'd be hard pressed to sum up my creations and services; rather I should describe my approach. Passionate. Expressive. And, above all, implicated. To the elbows. To the eyebrows. To the ends of the earth, when the occasion arises. The perfect term: redhanded. Redhanded, I am fully committed to my projects and enjoy using my skills, experience, and insight in the service of work that makes a difference in people's lives. Work that is original and responsive - to the needs of my clients, my students, art lovers, and of course to my own creative imperatives. I came up with 'redhanded' not long after creating Bog Fragment 7: The Touch of You, an artwork that includes the image of a red hand that has since become my visual signature.
I was born and raised in Montreal, Quebec - Canada's cosmopolitan, bilingual city. An Anglophone by birth, I was fortunate to do a good portion of my schooling in French, which gave me a profound love for the language as well as communications skills I continue to rely on in my work. Right from the get-go, I seem to have been drawn to literature and the arts. I always had my hands in something - frequently a knitting, embroidery, or painting project. I used to ask my friends and neighbours to pose for me, but our Siamese cat was a favourite subject, too. As a young adult, I came to Toronto to attend the University of Toronto, where I earned a Bachelor of Arts (in English and Art History). I made friends and fell in love with the cultural diversity of the city's population (according to the United Nations, the most ethnically diverse in the world) and with its vast ravine system - wild gardens of retreat veining through the city sprawl. I've stayed here. And I still feel happily at home in the city, although I enjoy travel away, too, particularly to European culture and North America's wild ocean shores.
Recently (as of July 1, 2008), I got a fabulous job back in Montreal, where I am now Assistant Professor of Art Education within Concordia University's Faculty of Fine Arts. I am absolutely thrilled to have the opportunity to contribute within such an internationally recognized Faculty of Fine Arts and to have a community of artists, scholars, teachers, students and resources to assist in my own continuing investigations of visual art as a mode of knowing - which takes the form of ‘research/creation’ or artwork that has a research agenda. Given the deep roots that I've developed in Toronto over the years, I am now splitting my time between my adopted city and my natal and newly reclaimed Montreal: the best of both worlds! Hobbies? Building a multi-faceted artistic and academic career is demanding, but I make as much use of my personal time as I can. Whether with family and friends or on my own, I enjoy walking and biking, taking in contemporary dance and opera (particularly Mozart and 20th century), knitting, reading - and just about anything that includes my wunderdog, Auggie! |
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All original artwork and texts: © Kathleen Vaughan, 2000-2009, except where otherwise noted. 'redhanded' text-based logo design: © Dale Barrett, 1997. 'redhanded' logo photo: © Paul Buer, 1996. All Rights Reserved
No part herein may be reproduced, modified or used in any way without explicit written permission. Web site design and maintenance All Rights Reserved |
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