[Student Work - Two sides of the story]
[Teaching children]
Pictured at various stages of development, this student's artwork takes advantage of the two-sidedness of masks and other forms of relief sculpture. This structural and visual duality allows students to portray split psychological or emotional realities. Here, for instance, the artist has portrayed a conventional female persona on the outside - social - surface of her mask, and decorated the more private inside with individual personal imagery.
[Papier maché, collages, masks]
[Two sides of the story - Mask layers]

Here, the artist builds up the surface of her mask with another layer of paper maché. Generally, about four layers were used, with extra reinforcement at stress points of edges and plane changes.

[Two sides of the story - Mask separation]

When dry, the paper maché shell is gently prised away from the clay base. Liquid dish soap was used as a release.

[expressions, feelings]
[Two sides of the story - Mask decoration]

Decoration begins: collaging cut-outs from magazines and photocopies of personal images. Some students also used paint and drawing materials.

[Art, multimedia, oil paintings]
[Two sides of the story - Outside]
Two sides of the story - Outside
[Two sides of the story - Inside]
Two sides of the story - Inside
 
Outside and inside the finished piece, highly accomplished and interesting.
[Kathleen Vaughan is 'redhanded']
© Images used with permission, 1999
Photos: © Kathleen Vaughan, 1999
All Rights Reserved
[Writer, teacher, artist]
No part herein may be reproduced, modified or used in any way without explicit written permission.
[Copyrights to be respected]
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